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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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A Sip of Georgia

Vandana Kumar reminisces about her visit to Georgia where she discovered that it is the country where wine originated. Unlike in France, which has a tradit...

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Around his world with Aditya Raj Kapoor

Aparajita Krishna talks to Aditya Raj Kapoor, a keen biker traveled across half the world on his two-wheeler, author of books ...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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Is patriotism just another prop for the Ad-biz?

Is nothing sacred in today's crazy clutter-breaking-obsessed-times, wonders an amused Monojit Lahiri 

Soumitra Chatterjee: A Filmmaker Remembers

In a freewheeling conversation with Anuradha Warrier, critically-acclaimed director Suman Ghosh talks about his forthcoming bo...

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The Singing, Forgetful Detective

Hoichoi’s first offering of the New Year is a Ritwick Chakraborty show all the way, writes Shantanu Ray Choudhuri

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